First Herpes Outbreak In Men

analyzing the Tartessos amazing. BULO

Valdeandemagico continues with the theory that we were created as cheap labor. That is, beings from other planets, tired of working to remove minerals, decided to manipulate a species of land, that had the intelligence to make such arduous work.

As we have said countless times, the origin was in Eridu , Eden says the Bible, and the next picture we see some of the symbols used by our creators, making it much incapié h on the clock they all had. " Of these symbols, then they appeared civilizations that adopted them as his own, although more than likely take meant that their offspring were common. Ie as if there are multiple creators, each with its symbol was happening to their descendants. Samples

of this is found worldwide, but today we have to echo some of Spain, which combines common clues that could tell exactly how many races had, ie how many different artists involved in the process do we now write these lines. We know that tartessos were a civilization very powerful, but mysterious, its symbols were like those of our artists, and above all, the figures were appeared in one of the most important mineral mines of prehistory, and as we have said, the problem was with our creators gold they needed.
Argantonio (?, C. 670 BC -?, H. 550 BC) was the last of the dynasty. Lived 120 years, which seems a lot, but according to our theory, knowing that direct descentiendes Eridu were always living a little less, because we do not see strange. Logically the first creators were Gárgoris and Habis, and these if they lived many more years. They were those who taught them agriculture and the law. The story lies behind the creation of the world and the struggle of the titans and gods. And we know what they are titans and gods which are tiny.


The Casa-Museo Posada del Moro, in Torrecampo (Córdoba), hides one of the archaeological collections most surprising and disturbing that exist, not only in Spain but throughout the world. Itself, is a pulse of science and the official story that could break what we know or think we know about our past. We are located in
Riotinto in Huelva , a mining area, arid and hostile, while the unique life forms found in the villages of the river that gives name to the place are microscopic .

There, in 1974, in a place that today is known as "El Llano de los Tesoros" excavators sought to open new avenues for exploitation. Without pausing to consider where their blades pierced, pierced accidentally the rock of a cave sealed. Appeared inside bones, ceramics and most disturbing, a total of around 70 sculptures human busts representing more than peculiar.
The sculptures belong to men of different races and shapes, from a human mosaic different parts of the planet but represented as part of the community.
These busts are identified American men Europeoid , Caucasian, Negroid and Amerindian . In them there is no room for the outrageous ; are faithful and realistic representations, in which the artist reflected what their eyes. Some models are more than disturbing , as the authors of the sculptures could never have known the things that inspired them.

Analyzed by the departments of mineralogy and petrology of universities Cordoba and Granada, were applied various techniques of analysis and dating , including the X-ray Diffraction and Spectroscopy of Plasma induction. This will confirm their authenticity.
was discovered that in the patina covering the sculptures are trace elements from mining waste water the same characteristics as those in Riotinto . So, whatever it was, the culture responsible for the sculptures had to have settled there.
According to the historian and archaeologist Rafael Muñoz Gómez , "the fact that this group of sculptures appear in mining gold, copper and silver, known since the earliest days of antiquity, and which are found human bones suggests that the characters represented should be related to the mining environment. "

Other studies by the University of Granada have done nothing but increase the dose of mystery. Since it is not organic debris, their technicians could not be dated parts in concrete. Anything that is dared to rule, "Geologically have much time." I can say that there is research that points to an age of 11,000 years.

But there is another mystery, the greatest. And is that some of these sculptures represent or tartessos hominids or Phoenicians could have ever known.
And in the library are Torrecampo Australopithecus faces, missing for more than a million years and not know anything until the first fossils appeared in the thirties of last century Oven archaic sapiens, which supposedly disappeared 300,000 years ago, and also Neanderthals, extinct for more than thirty thousand years and discovered in a fossil state in the mid-nineteenth century . Question
with which we opened another contingency, although truly amazing, the possibility that some of hominids represented in these sculptures could have survived the extinction of their species. According
Muñoz Gómez , "is devastating for an archaeologist and historian conventional see this show, it seems to indicate that hominids coexisted with modern man, breaking fully the theory of evolution Darwin '. For its part, the heading Jorge Diaz adds that "we are facing undeniable sculptural representations of an intermediate species between ape and modern man, that is, against individuals with simian characters, without doubt, are of hominoid paleoantropo . "
What we do know is that somehow the authors of the sculptures learned of the existence of Australopithecus , Homo sapiens archaic and Neanderthals, which could never have known according to the official chronologies That means that perhaps these chronologies are wrong

information:


A set of seventy sculptures, representations men, hominids and
humanoid, with a length of more than 11000 years were found in Huelva
in the mining area Ríotinto . This finding not only shows that the current man
hominids could coexist in the same place and time
, thus contradicting the theory of evolution, but also opens the door to
extraterrestrial hypothesis. This discovery remarkable is
considered by some researchers as evidence archaeological
of mythical Atlantis

In 1974, the area known as "Llano de los Tesoros" mining area
Riotinto (Huelva ) when clearing works being undertaken to discover
bedrock of gold ore in a field with abundant caves and underground galleries
, the bulldozers pierced the roof of a cave sealed
with his shovel removing bones, ceramics and sculptures. The company
immediately ordered construction they were thrown into the rubble to the fear that could
intervir administration and
ordered the stoppage of the works.

Three employees who were hired working on the site with machinery
sculptures collected and subsequently moved in
trucks, covered with sand, to a farm in Cordoba where
have remained hidden until he could take them over the geologist Stephen M. Bunting and carried
Torrecampo (Córdoba) to be studied.

This finding may mean archaeological one of the most revolting
both for science and for history. The seventy
sculptures recovered from more than two hundred that were removed from the cave,
represent racial diversity of the planet, but also among them are a
paleoantropoides sculptures and other even more bizarre as they are authentic reproductions
of aliens known figures of triangular face, mouth and eyes
oblique fine. The extraordinary thing is that this sculpture was made
more than 11,000 years ago. The question before this discovery
is inevitable: how could be together these characters represented by a sculptor
more than 11000 years?

authenticity established by the Universities of Cordoba and Granada, the hypothesis
jumps to the fore: characters represented in the sculptures
the Llano de los Tesoros lived in a period and place that the historical legend
matched with the Atlantis , and consequently we find ourselves
tangible testimony of those who were his protagonists, the inhabitants of Atlantis
. But this hypothesis is accepted, we must admit that the mythical
Atlantis intelligent men lived, hominids, and possibly
, aliens or at least had news and direct them
otherwise could not have been represented sculpturally.

This course makes the springs to jump-well anchored so far was
theory of evolution Darwin which makes it impossible for man and had been living hominid
as recently, so much so that between
modern man and Australopithecus is a distance of over four million years
. The only ones who staged a short-living-under-scientific orthodoxy
were Homo sapiens and Neanderthal man ago
approximately 35,000 years.

But the evidence shows quite different parameters to observe these
sculptors, as the sculptor who made this work, given the realism with which they are made
figures, or had them before, posing for him or
it had a very specific references about our supposed ancestors, something
unlikely as even the last century XIX not known. Therefore, these sculptures are a
scientific contradiction if we try to explain how
could be made at the time allowed for its origin. But there are other unknowns open
more transcendent dimensions: why what they wanted
be immortalized? Do you intend to convey a message through this
representation population? The mysterious sculpture

pretartésicas
No doubt this is one of the archaeological findings
more enigmatic and perhaps most important to the history of mankind, well
may be that these sculptures are silent witnesses of a While different
past we have built for humans intellectually.

historian and archaeologist Rafael Muñoz Gomez said: "The fact that
group of sculptures appeared in a mining, gold, copper and silver
known since the early days of old, makes me believe that these characters
represented should be related to the mining environment and I
begs the question whether the hominids served as labor, given their intellectual inferiority
. But if so, whether these hominids were
mine workers, I question why they were buried next to the gentlemen
and immortalized in the same way as they were extracted from
the same cemetery. "Of course if it worked for hominids the sapiens
and were buried together and with the same honors we possibly
before a people who lacked social inequalities from the context that we understand
today, a society would respond with behavior the motto:
"give to each according to his ability and as needed, without inequalities" and
that hominids made hard work of the mines by
intellectual inferiority but have the same rank and benefits Messrs.
and buried with the same dignity.

The first geological studies these sculptures put them at a time
pretartesica In the Age of metals came the first state whose historical existence
have certain knowledge and the legend relates
Atlantis, the state of Tartessos , in southeast Spain. But historians
conventional place the kingdom of Tartessos
at a later period ( III BC) to the estimate for Torrecampo sculptures (over 11,000 years)
with these sculptures are scheduled within a period
pretartesico . However, for most progressive historians Tartessos
was a civilization that evolved in times much earlier than
officially established for this culture, so they see it as a testimony
Atlantean archaeological , because they consider the possibility that the kingdom of
Tartessos History has known was the reminiscent of an ancient kingdom magna
size and age, the legendary Atlantis . From what follows that these sculptures
whose implementation was more than 11,000 years ago may be a
artistic expression and religious Atlantean civilization.

The sculptures must be supported on a square base and supported
on a wall or column, as seems to indicate the rear of the
busts is quite smooth. Next to them were also found
sculptors of lions and bobcats. The realism with which they were made show that the characters
escultor.Las posed to the heads have a patina
composed of sulfates and mineral complex wastewater from the mining
data confirming the validity of these area
miner Rio Tinto . Human

, hominids and humanoid in a necropolis of more than 11,000 years ago
sculptures now concentrated Torrecampo (Córdoba) in the Casa-Museo Posada del Moro
might have wanted to be a faithful representation of races human
existed at that time: Europeoid , Negroid, and Mongoloid Amerindian
, a kind of UN of our ancestors, but also, this shows
includes a varied and extensive number representations of hominids: various types of
Australopithecus and Neanderthals , something like a documentary
manifestation of two species arising from different logs were contemporaries
bringing the sapiens not descend from them but who lived and
did on equal terms, despite the obvious inequalities
physiological .
independence
With the intention with which these sculptures were made,
the truth is that it gives us a reference about our origins to that
adds an innovative element: the participation alien in the creation of man
., Ie suggesting the presence within the group of sculptures of humanoid
heads. It could also suggest that these humanoids
maintained close contact with the locals as they are represented
as part of the community to the point of being buried
together.

All these figures were within a burial context and according to the archaeologist and historian R.
Muñoz Gomez : "It is devastating for an archaeologist and historian
Conventional see this show because it seems to indicate that
hominids coexisted with modern man, breaking
full theory of evolution Darwin . Poe hand anthropologist G. Ten adds: " We are faced with the undeniable
first sculptural representations
an intermediate species between ape and modern man, ie to individuals
monkey characters who no doubt are of hominoid
paleoantropo ".

Indeed there are represented different types of Australopithecus that
should have been extinct for a million and a half years so is the
sapiens archaic allegedly did the same 300,000 years ago and
Neanderthal, whose final settlement was known Zamarrya (Málaga) makes
30,000 according to claims and science assessments conventional.

science supports, to the latest findings, which in some cases there
coexistence between some of these groups, as occurred with Homo sapiens and Neanderthal
, but has shown that however there was no cross-
test which belonged to different species, according to endorse the study of DNA
made their fossils. We know that the Homo Erectus of Java, however
than previously thought, also coincided with the sapiens to 20,000 years ago as confirmed
assessments by Carl Swisher and G. Curtis
Geochronology Center in Berkeley (USA). However, they have not existed until now
evidence that may have lived together all the different types of
hominids to modern man, so that the sculpture of
Torrecampo more unusual is the finding that biology and anthropology
could have imagined.

Recent DNA analysis performed by the Molecular Biology Department of Yale and Stanford
reveal that sapiens is derived from a genetic trunk
hominids distinct from that between the two groups there is a barrier biological
showing that they are different species. Accordingly,
have been two family trees: on one hand that of the hominids (Proconsul,
Ardipithecus, Australopithecus afarensis, africanus and robustus, Homo erectus
, habilis and Neanderthal) and the other part of the sapiens (sapiens
archaic Homo sapiens sapiens and Cro Magnon). The first trunk
derive the apes These results support the thesis that some biologists pose: that humanity
derived from mono but derived from another branch, and whose track more immediate
is found in the mitochondrial Eve, who lived a ÁAfrica
sapiens 100,000 years ago and whose DNA it reveals that the human species descended
smart. Eva

This would be the first ancestor of modern man, the first sapiens. A
arise thereafter Cro Magnon man and Homo sapiens sapiens.
otherwise could not explain the coexistence of individuals, men and hominids
represented in the sculpture of Torrecampo Wallace, Darwin
student next to him and discoverer of the theory of evolution of species
stated that evolution was applicable to any kind less
man and that "some intelligent power has guided or determined the evolutionary development of man
because this is truly an exception to the methodical
system of biological laws. "

The discovery of this sculpture is a
archaeological evidence of the hominids and men living together and save
correctly assessed the gaps in the theory of evolution of species.
But without doubt that the most disturbing
offers us these sculptures are representations of the alleged aliens.
explain how humanoid sculptures? Authors such as Zecharia Sitchin and Alan Alford
have the answers. Zecharia

Stchin (author of The Twelfth Planet) suggested that the creation of
man was being implemented by the Nephilim or gods
aliens came to Earth 400,000 years ago and created
mine workers, the human race. This creation was made from different combinations of DNA
alien visitors. Nobel laureate Francis Crick
(discoverer along with Watson basic mechanism of DNA) in his work life itself
says there must have been a cleverly directed panspermia
in creation. These organisms have been shipped and
controlled by an extraterrestrial civilization, bringing life in all its manifestations
had been manipulated by extraterrestrial creation.

The fact of humanoid heads within the sculpture of Llano de los Tesoros
could certify the hypothesis of Crick and speculation
Sitchin. How could it be otherwise, the concurrence of
characters more than 11,000 years ago? They are so alarming questions and
responses that can be raised at these sculptures, which have been relegated
a small museum of a remote Andalusian village and have not jumped for its spectacular
public opinion and scientific
as this would require a finding of science and according to orthodox history
little postulates that sustain today

The authenticity of the sculptures
The sculpture of Torrecampo has been analyzed by the departments of Mineralogy and Petrology
two Universities of Granada and Cordoba.
They applied various techniques, including the X-ray diffraction and spectroscopy
Induction Plasma. This was confirmed by
following report - "the rock of which are carved
comes from the ancient quarries of the Late Miocene of Niebla (east of Huelva) and its exterior cortificación
consists of oxides and sulfates
waste waters of the mining area, as well as a range of chemicals from farms
minerals such as iron, copper, lead, cobalt and other
be associated with them such as lithium, vanadium, barium, lentano (this item
gives authenticity to the sculpture) and zirconium, from perhaps
human activity, both mining and metallurgy. " The analysis done

Cordoba in the samples taken of the sculptures
describes the material they are built belongs to
calcareous sandstone containing a large number of fossils among which
calcareous algae and fragments of bivalves and foraminifera.


The strange thing is that this same symbol was also in America.

The cult of Venus "a god in the sky" eight-pointed star
Mexican Culture.

Late Postclassic (1200-1521 AD). Andesite

tallada.Col.

National Museum of Anthropology. INAH-CNCA.
Such

reliefs were used as pedestals for the rituals associated with the planet Venus, which the Mexica Citlali Huey called "the great star." It is surrounded by 24 chalchihuites symbolizing the precious liquid retained this star in dry seasons.